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An essential palo, built on playing with the 12-beat compás and dancing to the cante with weight and intention.
What’s in the track
A complete Soleá por Bulerías structure, played live from start to finish. Duration: 10:12 minutes, long enough to dance a full choreography without stopping.
How to use it
Run your full choreography as if the musicians were in the room
Isolate sections: work your letras, your llamadas or your remates
Train your listening: learn to recognise where the cante enters, and respond to it
Play with the compás: accents, pauses and remates
Guitar: Eugenio Iglesias
Cante: Miguel Rosendo
Palmas & jaleos: Irene ‘La Sentío’
Artistic Direction: Irene ‘La Sentío’
Real musicians. No AI.
Recorded in Seville, June 2026.
LICENCE & COPYRIGHT
© 2026 La Sentío International Flamenco School. All rights reserved.
This recording is protected by copyright and registered with the Registro Territorial de la Propiedad Intelectual de Andalucía (Junta de Andalucía).
Your purchase grants you a personal, non-exclusive, non-transferable licence to use this track for your own private dance practice only.
The following are not permitted without our prior written permission:
Playing the track in any public or commercial setting, including classes, studios, performances, events and competitions
Copying, sharing, reselling, distributing or uploading the file
Using the track in videos, on social media, on streaming platforms or in any broadcast
Editing, remixing or sampling the recording, or using it to train AI
Any unauthorised use may lead to legal action under Spanish intellectual property law (Real Decreto Legislativo 1/1996) and applicable international copyright law.
For teaching, performance or other licences, contact us at lasentioflamencoschool@gmail.com
An essential palo, built on playing with the 12-beat compás and dancing to the cante with weight and intention.
What’s in the track
A complete Soleá por Bulerías structure, played live from start to finish. Duration: 10:12 minutes, long enough to dance a full choreography without stopping.
How to use it
Run your full choreography as if the musicians were in the room
Isolate sections: work your letras, your llamadas or your remates
Train your listening: learn to recognise where the cante enters, and respond to it
Play with the compás: accents, pauses and remates
Guitar: Eugenio Iglesias
Cante: Miguel Rosendo
Palmas & jaleos: Irene ‘La Sentío’
Artistic Direction: Irene ‘La Sentío’
Real musicians. No AI.
Recorded in Seville, June 2026.
LICENCE & COPYRIGHT
© 2026 La Sentío International Flamenco School. All rights reserved.
This recording is protected by copyright and registered with the Registro Territorial de la Propiedad Intelectual de Andalucía (Junta de Andalucía).
Your purchase grants you a personal, non-exclusive, non-transferable licence to use this track for your own private dance practice only.
The following are not permitted without our prior written permission:
Playing the track in any public or commercial setting, including classes, studios, performances, events and competitions
Copying, sharing, reselling, distributing or uploading the file
Using the track in videos, on social media, on streaming platforms or in any broadcast
Editing, remixing or sampling the recording, or using it to train AI
Any unauthorised use may lead to legal action under Spanish intellectual property law (Real Decreto Legislativo 1/1996) and applicable international copyright law.
For teaching, performance or other licences, contact us at lasentioflamencoschool@gmail.com